There is not a particular shortage
of films that speak to a bevy of societal issues we deal with on the regular
basis. In fact, there is not a particular shortage of films dealing, to some
degree, with race. Gattaca approaches
the issue in a unique, appealing fashion that brings our attention to the
greater issue by effectively detaching us from the issue as it is presented to
the today’s Americans. In fact, Gattaca does
not deal with race in America at all. Gattaca
deals with all of the characteristics of race relations in America and
around the world. It showcases discrimination, prejudice, inequality and oppression
in a raw, compelling form.

Gattaca
is based some number of decades in the future, in a world in which people’s
jobs, and essentially their futures, are based entirely on their genetics.
Jerome Morrow is the first child of his parents, the one they chose not to
genetically engineer based on their most favorable traits. Throughout the film,
he attempts to pass (as an ambiguously ethnic person might pass as “not black”
or “not hispanic”) as a “valid” (someone lacking a certain degree of genetic
flaws). His goal is to become an astronaut. In this society, invalids are not
allowed to work as astronauts. The closest he might get is a position as a
janitor in a space exploration base. Despite his devotion, his effort and his
intelligence he would never be considered fit for space travel, due to being
near sighted.
The aforementioned workplace
discrimination and its basis reminded me immediately of the glass ceiling in
the American job market. We have mentioned in class and seen in readings that
minorities disproportionately occupy the most prestigious positions. They also
disproportionately lack the formal education necessary to even begin to pursue
such opportunities. The most striking part of the similarities between the
situation in this movie and American race relations is how deeply engrained
into society prejudice and discrimination are in both contexts. In both,
oppressive and marginalizing policy is supported by the governmental system,
those controlling all of the wealth and thus the power support oppressive
ideals, and the collective has come to accept it as the way life is, has been,
and always will be.
In Gattaca, the systems mechanisms for oppression were a bit more
robust than they are in modern America. It was, essentially, a police state in which
invalids could be reprimanded for being in areas they shouldn’t be or with
people they shouldn’t be. The social situation in this movie had more akin to
the Jim Crow era of American race relations. It went deeper than laws
underhandedly holding invalids under the foot of the nation’s dominant group,
as is done with minorities in America. Similar to Jim Crow and the era leading
to it, their society had laws that forbade people to attend certain places,
attain certain educations or work certain jobs. The part that transfers to
modern day from both Gattaca and Jim
Crow is the culture of oppression. Too many people still carry racially
degrading thoughts, believe in stereotypes and stand aside quietly as racial
inequality runs rampant.
www.rogerebert.com/reviews/gattaca-1997
http://washington.cbslocal.com/2014/02/04/poll-61-percent-of-african-americans-say-us-race-relations-getting-worse/